Colour is a huge defining factor when selecting wood flooring material for your interior space. One colour that is both timeless and an ongoing trend is Grey.
Grey hardwood floors have completely shifted the décor world in a new direction and have become a cleaner tone to living spaces.
Grey hardwood floors are versatile and can complement nearly any colour harmoniously while presenting an elegant and understated look.
The floors work equally well with dark and light walls, furniture and décor accents.
Incorporating Grey Floors in Your Home
Hardwood flooring has always been an excellent choice for home interior; it adds warmth and texture with its inherent natural beauty and it’s easy to care for after installation.
Many people are drawn to grey wood floors which can either be distressed, beachy, sometimes old-world-french looking combination.
If you have your heart on grey wood floors, incorporating them into your home design scheme shouldn’t be a daunting task.
1- Grey hardwood floors vary in many different ways depending on the species of wood, the intensity of the stain, and the variation of the colouring.
2 – Grey hardwood floors emulate a sleek look and this works really well with walls in lighter paint tones such as ivory and minimal furniture pieces in subtle colours. This creates a balanced appearance and can give an illusion of a spacious room.
3 – Accents in glass, silver metal finishes and neutral soft furnishes go a long way in helping to create a modern aesthetic.
There is a variety of choices when it comes to flooring; however, there is something undeniably beautiful about hardwood floors.
Hardwood flooring still remains the number one choice for most households, retails and corporate spaces; it’s gorgeously sleek, stylish and strikes just the right note with any interior style.
It looks natural and warm, perfect for both old world charm look and a modern contemporary setting. It’s easy to care for and hard wearing – it adds texture and creates an organic feel.
But where do you start with hardwood flooring?
You are just in luck because we have the basics of choosing and installing the perfect hardwood floors for your home.
Types of Hardwood Flooring
Hardwood is a very general term used to describe wood from certain trees.
Not all hardwood flooring is created equal, and selecting a product is one of the most basic yet important decisions for every homeowner or builder especially when undertaking a renovation.
It’s not just a matter of selecting a preferred colour, but more about aesthetics and performance.
Let’s first start off by understanding the different types; solid wood flooring and engineered wood flooring.
Solid Wood Flooring
Comes in three main types, each offered in both unfinished and pre-finished version.
Unfinished flooring requires job-site sanding and finishing once installed.
Pre-finished flooring is sanded and finished at the factory before installation.
Solid wood products on average, have a sustainability, or slightly, thicker sandable surface. It can be refinished and recoated many times throughout its lifespan or usage; as a result it gives a new like effect for decades, an important reason behind its popularity.
The three types of solid wood flooring include the following:
Strip Flooring is marked by its wood planks thickness and width.
Plank Flooring comes in two thicknesses, but unlike strip flooring, the widths can vary. It is available in thicknesses of 1/2 inch or 3/4 inch and a range of widths from 3 inches to 8 inches.
There’s a sense of luxury and expense associated with a wider plank. Once you exceed the normal size, the flooring design and layout starts to feel unique and special. Do note that the wider planks don’t just look more expensive — they are more expensive. The wider you go, the more spendy you get.
Parquet Flooring has a different look from typical hardwood flooring. They are generally made up of geometrical patterns composed of individual wood slats held in place by mechanical fastening or an adhesive.
The wooden pieces are generally formed into tiles of varying shapes and then installed in such a way that the individual pieces all contribute to a greater, concerted pattern that stretches across the entire floor. It’s exciting to use and helps you create an upscale appearance in your home.
Solid wood helps increase and improve acoustics in the room, making it perfect for music rooms and concert halls due to its ability to minimize vibrations and hollow sound.
However, solid wood is generally installed over one or two layers of plywood, which can raise the height of a floor and interfere with existing doors or marginally reduce ceiling height.
Engineered wood flooring
This floor, on the other hand, is quite an interesting flooring choice. Mainly because it’s a type of wood made from several plies and it’s a more versatile option in regards to hardwood flooring.
This hardwood is composed of layers of plywood in the form of a plank that is bonded together and then finished with a solid wood top.
The top layer provides exactly the same appearance as solid wood, but the substrate increases stability. However, engineered wood should not be confused with laminate flooring.
The main difference between this type of wood and laminate flooring is that laminate flooring contains no actual wood.
It’s perfect and offers an installation advantage in basements and apartments with concrete subfloors. In some instances, engineered flooring can be more favourable than solid flooring as it is more resilient to moisture and temperature change.
It can be glued directly to concrete or over a soundproofing mat and also suitable for installation over radiant heat.
Hardwood Installation
Wood flooring is one of the trickiest types of floors to install. Hiring an expert for hardwood flooring will produce a bright, durable and beautiful finish for your construction project.
- Remember that wood subfloors must be structurally sound and free from movement.
- Concrete subfloors. When installing hardwood flooring on concrete, this must be at least 30 days old and must have passed all moisture tests.
- Hardwood flooring could be installed over radiant heating systems, only if approved and recommended by the manufacturer.
- Hardwood flooring could also be installed on tile, stone, bamboo, and vinyl. These surfaces must be checked for integrity prior hardwood installation.
Hardwood flooring installation could be done using the following techniques; glue down installation, nail down / Staple Installation or glueless installation.
Installation methods really vary depending on the width, thickness, and construction of the hardwood product, and where it’s being installed.
Typically, solid hardwood flooring is nailed or stapled to a wood subfloor. Engineered hardwood can be mechanically fastened or glued; this really depends on the product selected.
Building or renovation is an investment and so is the choice of flooring material, therefore you would want to make sure that everything is done right.
A hardwood flooring installation takes time, precision, and know-how, hence it is best to get the job done perfectly the first time. A floor is only complete once it has been fitted; therefore it is recommended that all floors are fitted by certified and experienced floor fitters.
The final grading and presentation of the floor become apparent in the final stages of the fit. It is the responsibility of the floor fitter to place the boards in the correct position within the space and to cut out the odd section of a board which may be deemed unfit by the client.
Architect Filipe Saraiva designed his own home located in Ourém, Portugal.
|The structure is based on a quintessential form, yet hiding fine details and materials behind its deceivingly simple appearance.
“The house is like a shelter that protects us from the world around us. It is our refuge and our own world. This archetype is generally defined by a polygon of regular geometrical shape, generally well proportioned and of balanced dimensions, with which we all identify “. Filipe Saraiva, architect
The house is built on a plot of land surrounded by farms overlooking the Castle of Ourém.
The front pergola stretches out from the interior becoming a natural extension of the house with the same polygonal shape.
About halfway out, the wooden slats are distanced apart from each other letting light filter into the covered space.
The exterior is clad in prefabricated black concrete panels with regular dimension that defines the stereotomy of the project and require little maintenance, while helping the structure blend in with its surroundings.
The entrance into the home is on the long, and rather closed side of the house, that’s somewhat hidden underneath a cover of weathered steel, underscoring the huge importance that materials have for Saraiva in his approach to architecture.
The front wooden door is tucked into a slight alcove in view of the music room.
The music room, which is set up with a record player and a relaxing lounge chair look out through a black-framed glass wall that provides a view into Saraivas’ garage.
At the other end of the music room appear the main social areas of the house.
A large round wood dining table is surrounded by black chairs that blend in with the black window frames.
The large windows offer an abundance of natural light flowing throughout the social areas.
On cool nights, the family can enjoy the warmth of the fireplace in one of the sitting areas.
Connecting the social areas of the home with the bedrooms upstairs is a simple wood staircase between crisp white walls.
At the top of the stairs is a loft area that’s been set up as a library/home office.
A shelving unit runs along the wall and acts as a bookshelf and storage unit.
A large white table provides space for four people to work at and underneath the window is a couch for relaxed reading.
Images: Joao Morgado – architecture photography
Considered by many homeowners as the heart of the home, the kitchen is the perfect place to gather over shared meals and spending quality time.
However, it’s the one room that takes up more beating than any other surface in your home; from spilled juice at the breakfast table to muddy paw prints from outside and even children’s spontaneous indoor games can be quite intense.
That’s why this high-traffic room needs a floor that not only looks good, but can withstand ordinary wear.
So you may wonder: Does a wood floor belong in the kitchen? Is a wood floor a good asset when it comes to selling your home?
If so, what is the best wood flooring for kitchens?
Sure – most of today’s wood floor finishes are suitable for kitchens, as long as you’re willing to wipe up spills and stick to a maintenance routine then you are good to go.
The Right Wood Flooring
Wood flooring is warm, natural and lends itself perfectly to both modern and traditional kitchens.
There is absolutely nothing wrong with having your heart set on wood flooring in the kitchen and hardwood floors are an increasingly popular choice for a kitchen, and often a smart choice.
In fact, they can do amazing things for the design of a kitchen and few flooring surfaces can match the look and feel of real hardwood.
For instance Oak is one of the strongest domestic and commercial wood species; its rich grain and exquisite texture not only makes the floor look stunning and unique, it also helps disguise small dents and scratches that are bound to occur over time.
Because this is a natural product, it can contract and expand as temperature or moisture levels rise. This becomes an issue in large kitchens where steam and heat are most likely.
For this reason, engineered wood is probably your best bet to avoid cupping and gapping.
Engineered wood can still contract and expand, but not quite to the same level as solid wood can.
This also means that it’s suitable for the modern-day, busy kitchen, and will take all that life has to throw at it.
They also work better over a slab floor because their design can withstand the changing conditions in the concrete subfloor.
It really takes longer for engineered product to move with humidity than a solid product.
It’s all in the Finish
One of the features of wood flooring that people often leave to the very last minute is the choice of finish for their new wood floors.
After installation in the kitchen, its surface needs to be protected with a sealing agent that will prevent the penetration of moisture and staining agents.
Water can be quite an issue in the kitchen as it’s used all the time; hence the finish has to be water-resistant because of the potential for the presence of water on the floor.
It’s one of the reason why people also opts for wood effect floor tiles in their kitchen, such as those sold by this company. The porcelain tiles have the same great look as a wooden floor, with the added durability and protection of tile.
You are going to want to apply several coats of sealer in order to protect the material.
Select a surface finish that is exceptionally strong, to protect the wood from damages and one that is easy to restore and renew.
Oils
UV-cured oil finishes is a great finish to use. Local area damages can be easily restored.
Spot repairs can be done using sanding paper, stain (if necessary) and renewer oil.
An oil-finished hardwood floor is the best option for a kitchen where all spills are cleaned up quickly.
Our In-House oils and finishes work great in kitchen and bathroom areas.
Maintaining Hardwood Floors in a Kitchen
Regardless of the type of surface finish, it’s advisable to maintain your hardwood kitchen with regular sweep or vacuum and promptly clean up all spills.
For extra care, never allow water to stand on the surface for any amount of time.
Maintaining the finish can be done by applying a hard-wax maintaining oil every 6-10 months. Osmo and Woca have a good selection of products.
You can also test the finish on the floor by pouring a very small amount of water on it in some of the most highly trafficked areas.
If it beads up the finish is fine. However, if it sinks in, wipe the liquid up immediately and start looking into quality water repelling hardwood finish.
Copenhagen based architecture and design firm EFFEKT has unveiled a new and unique experience called The Treetop Experience in the Gisselfeld Klosters Skove preserved forest, one hour south of Copenhagen, Denmark.
Created to give guests a one-of-a-kind experience walking above the treetops and experiencing the stunning nature of the surrounding preserved forest from a new perspective.
The Treetop Experience offers a minimal footprint of 1,968.5 feet (600 meter) walking platform and 148 foot (45 meter) tall observation tower.
The new Treetop Experience will be part of Camp Adventure, an existing sports facility with treetop climbing paths and aerial zip lines up to 25 meters in height.
Characterized by a hilly landscape that is rare in the notoriously flat region, with lakes, creeks and areas of wetlands.
Split into a lower and upper walkway, you pass through the younger trees and areas as well as the oldest parts respectively.
With a 360 degree view, the observation tower is shaped to enhance the visitor experience with a curved profile featuring a slimmer midsection with an enlarged base and crown.
The continuous ramp is made accessible and offers amazing features such as bleacher seating, an aviary, looping pathways and bridges, enhancing experience for the visitors.
A typical cylindrical shape favours a curved profile with a slender waist and enlarged base and crown.
This creates better stability and a larger area for the viewing platform at the top of the tower; it also allows for better contact to the forest canopy.
The materials have been chosen with a sustainable and sensitive approach. Corten steel is used for all of the structural elements as it is maintenance-free and blends harmoniously with the colours of the forest and the surface of the boardwalk and ramp is made from timber from the forest’s own production.
Images: EFFEKT (http://www.effekt.dk)
Designed by Slovenia-based architect Sanja Premrn, Spin Bar is located within a new shopping centre in Kozina, Slovenia.
The concept idea behind the design was to birth an inviting and calming interior for drinking coffee or beer after shopping in an otherwise cold, newly built shopping mall.
“I wanted to create a light and bright interior,” said the architect. “This is a new building with a lot of natural light, but it is also pretty cold, so I had to warm it up somehow. What better way to do it than with wood.”
The rear walls are dressed in plywood panels while ceramic tiles create a chevron pattern – a simplified version of herringbone – on the side walls and floors for a sleek feel.
The extremely high ceiling was painted in black and lowered with suspended wood panels. Ceiling raster is continuing on a back wall creating more shelves and visually connecting the ceiling with the rest of the space.
“Herringbone patterning is usually used with wood, so this seemed to me the best way to make ceramic tiles look warm and cozy,” Premrn explains. “In such small spaces I like to see all walls covered in something, so the interior seems more sophisticated.”
The use of plywood can be seen throughout the space to make it feel both warm and airy. It was used to build the bar, as well as plant boxes and storage boxes.
Premrn worked with a local carpenter to design and build bespoke birch-plywood furniture which includes a series of simple tables, chairs and stools.
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Few retro-style chairs in the lounged area where sourced from Italian furniture company Pedrali for a more refined and sophisticated look.
High table and barstools with extreme lightweight look are located at the window on the right side.
The table continues in a lower bench all the way to the entrance. The rug minimizes noise and helps define lounge area, making it feel more intimate and cozy.
The chevron tiling continues inside the bathroom, and is accompanied by rich golden details. “The gold faucet creates a special visual interest,” said Premrn.
“With a single-lever handle, this streamlined faucet evokes a sense of serenity, blending in perfectly with the calm appeal of a minimalist bathroom.”
Images: Miha Bratina (http://www.mihabratina.com/)
Northern lights, clear skies, Reindeers, Huskies, sledges, and snow-laden trees – if this is your ideal holiday experience, then the Arctic treehouse hotel is the place to be.
Located right in the Arctic Circle in the Finnish city, Rovaniemi, the amazingly sleek hotel is designed by Finnish architectural firm Studio Puisto.
Designed to immerse visitors in nature and mysticism and a first of its kind in the Arctic Circle; the shingle-covered units offer a nest-like space that blends into the surrounding landscape.
The Arctic TreeHouse Hotel comprises 32 log-like cabins elevated above the slopes of Syversen hill to minimize site impact.
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Carefully sited to optimize views, the units are organized in pairs that function as combinable halves with one housing the bedroom and bathroom and the other containing a kitchenette and living room.
Each unit features a glazed end wall positioned for the unobstructed views of nature.
Environmental-friendly design played a large part in the design of the timber buildings, from its pine shingle-clad appearance to the use of natural materials.
Green roofs top the units for stormwater management. Timber was predominately used for the facade and the interior. The building structure is inspired by nature, especially the cabins’ outer walls inspired by pine cone cow.
The warm interiors are lined in blond timber and oiled oak parquet floors, and furnished with low-slung wire chairs swathed in fur and a blizzard of white linen.
The bedrooms are framed by large windows and have views of the forest which, in summer, is festooned with lingonberries and cloudberries bushes.
Some cabins ensure privacy, while some are attached with each other so that small groups and families can lodge together.
At night the units light up like softly glowing lanterns; however, outdoor light pollution is kept to a minimum to preserve the “true wilderness experience” and viewing opportunities for the Northern Lights.
“The inspiration for the accommodation concept – set on a steep natural slope – came from Nordic nature and culture as well as the magical world of Santa Park,” write the architects. “A vision started to form: small individual accommodation buildings set in nature, their spirit highlighting characteristics of the area and creating an optimal setting for experiencing both nature and arctic mysticism.”
Images: http://studiopuisto.fi
French design firm Studio Razavi introduces a modernized contemporary design to an Alpine chalet home located in the village of Manigod in the Auvergne-Rhône-Alpes region of eastern France – a popular ski destination.
The Mountain House is a single-family home with very little of architectural expression allowed due to complying with strict local architecture guidelines.
Its height, width ratio to roof slope, building material and window sizes are strictly controlled to enforce what is locally perceived as patrimony protection for traditional mountain homes.
Highlighting a wooden composition with concrete accents, architect Alireza Razavi wanted to try to reinterpret the home in a more contemporary way;
“In order to circumvent these limitations, we took great care in analyzing historical buildings so as to understand what their forms accomplished and how they shaped the local architectural culture. We then integrated this information into our design, avoiding all artificial and obsolete elements while making sure that the building was entirely code compliant.”
Configured in a stacked layout, the Mountain House includes distinct layers with separate programs, where the ground floor provides technical spaces including the entrance and car parking, while the first floor houses all the bedrooms, followed by the second floor which includes the living spaces.
The entrance is incorporated into the concrete base that also leads to a small space featuring a stone floor where occupants can change in and out of ski gear.
For the interior, the first floor and second floor embraces the use of natural materials such as walls cladding in pine wooden boards.
The cladding flows in different directions to elaborate the differentiation in volume and programme between the two levels. The space also features a few painted surfaces to break up the unity of the wood.
In addition, artificial stone tiles are implemented in the bathrooms to introduce a texture, as well as complementing the natural palette overall.
As you move to the top, each level of the house becomes progressively brighter and more spacious, with the living area enjoying the most natural light and volume due to large windows filling the space beneath the pitched ceiling.
The interiors feature materials chosen to complement the external expression and differentiation between the levels. The overall flow and aesthetics of the entire home remains quite simple and yet cozy.
Razavi added; “We wanted to make sure that the design reflected some of the historic features of this place, and I think this is how design becomes more interesting than just being disruptive for the sake of it.”
Images: Olivier Martin-Gambier www.omgphotographe.com
Creativity and lateral thinking are two different concepts, but complement each other in terms of turning ideas into reality. Read on to explore how creativity and lateral thinking can improve your life.
What it means to be creative
Creativity – the ability to step out of the role we are conditioned to play.
Are you a creative person or more practical and logical? Do you believe that we all have a creative side that needs to be unleashed?
What is creativity?
The concept of creativity comes in many forms, from how we design our homes, present our personal image, create our working spaces and even display our food on the plate. These practical life tasks form the basis of our daily lives, whether we are a ‘creative’ or not.
But creativity goes one step deeper by defining how we produce ideas and solve problems. For example, a simple problem could be how to use a wooden floor to create a feeling of spaciousness in your home.
The obvious way is to use a light colour – the creative solution is to go further and use wide boards, simple patterns, clean lines, mirrors, reduce clutter and select minimal and stylish accessories.
Some of us have this creativity naturally but others don’t find it so easy to use their creative potential, either at home or at work. Yet creativity can bring satisfaction and is the chance to experiment and try something different.
Finding your creativity
According to Edward de Bono, the world-famous founder of the concept of brain training, “Creative thinking – in terms of idea creativity – is not a mystical talent. It is a skill that can be practised and nurtured”.
De Bono is a leading authority on how thinking skills can be used to inspire creativity.
A diverse range of big-name international companies such as Apple, The New York Times and Linkedin use his methods to educate staff how to think creatively, work smarter and be more productive.
The de Bono method is a technique that anyone can learn and adapt to all parts of their life, from making business decisions to creating a comfortable, well-run home. It teaches how to creatively deal with problems, form solutions and become effective in everything you do.
How does the de Bono method work?
The de Bono thinking method uses the Six Thinking Hats process which suggests viewing a situation from six different angles. This can be applied to all aspects of life, from day-to-day problems to interior design projects.
Using the concept of interior design, this is how Six Thinking Hats can expand your creativity skills.
- White Hat – look at what´s available: This could be a room you want to redesign. You should consider the space, shape, aspect, current décor and furnishings.
- Red Hat – represents feelings and emotions: How do you feel about the room? Does it make you happy or sad? Is it a safe space or somewhere you don´t feel comfortable?
- Black Hat – signifies judgement and what can go wrong: This views the negative outcome. For example, once a room has been redesigned you may not like the final result or it could be too dark or feel small.
- Yellow Hat – focuses on light and positivity: This hat encompasses the optimistic point of view. It represents the benefits you’ll get from the room once it is designed to suit you and your lifestyle.
- Green Hat – expresses creativity: Creativity, ideas, brainstorming and using mood boards are all related to this hat. This concept promotes the freedom to create the perfect room (maybe a hobby room or your bedroom), by letting your thoughts go and creating something really special.
- Blue Hat – exhibits the management process: This hat represents how to achieve yours. It demonstrates how you will reach your target of a breathtakingly designed room through planning and managing the process.
Do you have to be artistic to be creative?
Not at all. Creativity can be developed. As children we are encouraged to be creative by drawing, painting and producing ‘childish’ works of art that express ourselves. As adults we often lose this desire to ‘create’, often because of lack of time and motivation.
When was the last time you sat with a blank piece of paper and planned your garden or terrace or wrote a poem or short story?
Doing something like this for 5 minutes a day can help you balance your mind and let go of some of the pressures of daily life.
Writing a journal is another way to channel your creativity, and putting your thoughts on paper can often help solve problems.
Creativity knows no time
When your creative streak strikes there’ll be no stopping you.
You may be inspired to create a new look for yourself or your home, run your business a different way, redesign your work space, organise a birthday party…whatever the occasion always make sure you have your phone or a notebook with you as once those ideas leave your head they’ll be hard to get back.
Some of us are more creative early in the morning whilst others prefer to burn the midnight oil and find their best ideas for change come to them at night. Learn when your creative time is and embrace it.
And lateral thinking?
Lateral thinking sits alongside creative thinking, but involves thinking about things in a different way than usual. It’s about taking a different approach, ‘going in from another angle’ and seeing a situation in an entirely new way.
Edward de Bono is also a lateral thinking guru and teaches that this method challenges the norm and produces effective results.
The concept shows how to think about things from a new angle, maximise the value of those thoughts and make them fit and work to produce results, whether for business or pleasure.
How lateral thinking can help you
Learning how to think laterally isn´t easy. Have you ever not been able to see behind the chaos of a problem you’re faced with and tried sleeping on it or leaving it for a while?
This approach can work, but adopt lateral thinking too and your solution will be much more powerful. Try looking at the situation from a completely different angle – which you´re probably not used to doing.
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In relation to home design, for example, thinking laterally could be as simple as mixing both old and new styles within a room (reclaimed old oak flooring with sleek modern furniture) or as complex as turning a home upside down and locating the bedrooms downstairs and living room upstairs to maximise the view.Start now – take a small issue in your life and look at it from both the creative and lateral point of view and discover solutions you’d never have thought of before…happy thinking!
Minimalist in interior design, rich in simplicity – Caroline Place is a home located in London, United Kingdom, designed by Groupwork and Clerkenwell-based Amin Taha Architects.
Surrounded on three sides by eight and nine story mansion blocks shielding it on Bayswater Road and on Queensway, Caroline Place is an enclave of late 1950’s terraces blessed with seclusion in an otherwise heavy traffic neighbourhood.
Built with a Modern Northern European sensibility of sharp brick lines and crisp mortar joints layered with softer timber detailing, their interior layouts remained firmly rooted in an earlier English Edwardian tradition.
Retaining a desirous separation of served and servant areas of maids’ rooms, sculleries, coal houses and a working yard, altogether occupying the ground level while the owners were set out above, across larger light filled rooms.
The flooring remains timeless, with remains of original travertine in site, along with densely plastered walls behind 1970s pine boarding, and one room panelled with dark cherry wood.
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As travertine has a wide spectrum of textural and visual possibilities, its reintroduction allowed for a hard-wearing surface on each floor, including the open courtyard and into the detached garage.
Varying from quarry-tooled to polished, the finishes emphasize and differentiate the journey from the interior to exterior, and from the basement upwards.
The social intentions behind the open-plan arrangements are accentuated by a clearer ‘tabula rasa’ across each floor, with the removal of downstand beams and brick nibs that had been structurally necessary at the time, but unintentionally retained the memory of separate rooms.
Each floor can be considered as a single shell of travertine and plaster, allowing the specific type of occupation to lend further definition.
The first floor can be occupied as a single reception with a corner study or subdivided by two pivoted bookcases, one of which reveals a foldaway bed and provides a guest room.
The cabinetry elements are full-height with shadow gaps and rebated lighting to emphasize their standalone role.
This language extends to bathrooms and walk-in wardrobes, ‘servant’ spaces whose discretion is maintained by secret doors and their concealment within bookcases
The first floor can be occupied as a single reception with a corner study or subdivided by two pivoted bookcases, one of which reveals a foldaway bed and provides a guest room.
The cabinetry elements are full-height with shadow gaps and rebated lighting to emphasize their standalone role.
This language extends to bathrooms and walk-in wardrobes, ‘servant’ spaces whose discretion is maintained by secret doors and their concealment within bookcases.
The restored travertine, cherry panelling and plastered walls are offset by new details that allude to mid-century work by Carlo Scarpa, Mies van der Rohe and Louis Kahn.
Point-tooled and fair-faced concrete, polished and patinated brass, cruciform columns and glazing details lightly reference the period.
New but related to the existing, they might in future be mistaken for original features.
Images Via: www.yellowtrace.com.au